OPINION/ COMMUNICATIONS
Dumb-liner: please stop this motto writing madness
đŹ Sir John Hegarty
We need to talk about end lines. These pithy, pervasive, and preposterous phrases have spread like a great plague. From the world of big brands â to start-ups, schools, local businesses, institutions, and government departments. The contagion has now reached a critical mass, where even your local tradespeople bung some sort of verbiage on the side of vans and business cards. Pimlico Plumbers, the UKâs largest independent team of pipe un-cloggers used the ambiguous: âMore than just plumbersâ. Taking this line too literally results in great disappointment: they have neither the equipment, nor the inclination to (a) groom your dog, (b) remove a concerning mole from your back, or (c) offer savvy crypto investment advice.
If your team can only come out with some banality, itâs best not to bother
Luxury brands are among the worst offenders for putting out lines that are somehow grandiloquent and meaningless at once. Watch brand Tag Heuer has been âchasing dreams since 1963â. Private jet company Flex Jet claim to be âcommanders of the sky, serving captains of industryâ. London hotel The Emory simply claims to be âlike no otherâ. A cruise company promises that âyou are the destination.â Cryptic, misleading, patronising pony. A truly great end-line stirs the audience, creates memorability and a mental imprint. A bad one diminishes your brandâs impact.
Where end lines are concerned, there are a few rules to consider. Hereâs the first: your business doesnât actually need one. If your brand team get together and can only come out with some banality, itâs best not to bother. The second: if your end line has the word âtomorrowâ âfutureâ, or âworldâ in it, scrub it out and try again – think of âDifferent Worlds, One McKinseyâ, (dreadful). Finally: if you have to say it, itâs probably not true. Mercedes-Benz Group should therefore re-think its claim of being âunlike any otherâ. For ninety-five percent of brands out there, it should be end-times for end-lines.
THE AGENDA
âď¸ Pencil it in: your agenda for the coming week
1.
New Yorkers will be donning their most ghoulish gear for this yearâs Village Halloween Parade in New York. The event attracts some 50,000 visitors.
31st October
2.
Internet Day marks the date in 1969 that computer science professor Charley Kline sent the first electronic message over a network. It marked the start of a creativity quantum leap.
29th October
3.
Diwali, the festival of lights, will be celebrated around the world this Thursday. One of the major festivals of Hinduism, Jainism and Sikhism, it marks the triumph of light over darkness.
31st October
4.
The worldâs oldest festival of documentary and animation films, DOK Leipzig, kicks off in Germany this week. Highlights include films on everything from gold-mining in Venezuela to defiant gardeners in war-torn Kyiv.
28th October â 3rd November
5.
The yearly Santander International Banking Conference is more exciting than it sounds. Entrepreneurs, academics and policymakers will assemble in Madrid to discuss the big issue – global growth.
31st October
UNITED KINGDOM / ECONOMY

British Chancellor Rachel Reeves
Credit: Matt Crossick/Empics/Alamy Live News
Budgeting for brilliance
The new Labour governmentâs first UK Budget will be announced on Wednesday. Itâs a chance for the party to demonstrate how dedicated it is to bolstering the countryâs creative clout, and figures from across the industry have been calling for more investment in the sector. The UKâs creative industries are worth some ÂŁ125 billion, according to official figures. That makes the category larger than life sciences, automotive manufacturing, aerospace and the oil and gas sectors combined. Around 2.3 million people rely on a job in the sector. The UK is also one of only three net exporters of music, the largest exporter of books and second only to the US in the advertising industry. Whatâs more, over half of the top 20 film releases last year were made at least partly in Britain. If the government really commits to nurturing its growth, the return could be stratospheric.
ON CREATIVITY /

ITALY / DEVELOPMENT

Flags of The Group of Seven (G7)
Contributor: passport / Alamy Stock Photo
City slicking
The G7 Ministersâ Meeting on Sustainable Urban Development kicks off in Rome on Sunday. The group was established as a response to the 1973 energy crisis and has progressively expanded its focus over the years. Presidency shifts between countries annually, with Italy at the helm for 2024. A key priority on the Italian agenda is sustainable urban development, and the upcoming meeting is a chance for ministers to discuss how cities can become more environmentally-friendly. Creative thinking is an important part of this challenge, as proven by cities like Oslo. The Norwegian capital has introduced innovative urban strategies in recent years, such as powering its buses using a biogas produced using household waste and using geothermal wells to heat new developments. The city is now on track to meet its targets of cutting greenhouse gas emissions by 95% by 2030, proving the benefits of outside-the-box solutions.
LONDON / DESIGN

Portrait of Film Director Tim Burton
Contributor: Steve Speller / Alamy Stock Photo
Calling the shots
Londonâs Design Museum has just opened The World of Tim Burton, a new exhibition dedicated to the legendary film directorâs fantastical oeuvre. Burton, who is known for features including Edward Scissorhands and Beetlejuice, is revered for his whimsical, gothic style. And the museumâs show offers a glimpse into his wildly creative mind with some 500 of his drawings, paintings, photographs, sketchbooks, moving-image works, and sculptural installations on display. It follows in the footsteps of the museumâs hit show on maverick director Stanley Kubrick and will be followed next year by an exhibition on the work of Wes Anderson. Itâs not often that film directors are honoured by these kinds of shows, so itâs refreshing to see the Design Museum blazing a trail that highlights their wide-ranging contributions to contemporary culture as well as offering insight into all the behind-the-scenes work involved in bringing a big vision to a big screen.